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if you did them on vellum, i used to have trouble with this all the time. humidity and printer speeds can cause slight stretching or shrinkage of your images on your positives as they are printed out. |
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What Steve said.
Also, if your registration was inconsistent, you might try clamping small blocks of wood to your table directly in front of and to one side of your screen. This helps ensure it falls in the same place every time (there usually is a bit of play in hinge clamps). You seem to be off to a solid start for sure, though. Nice work! |
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Awesome noob process thread post. Even with the cheese - gorgonzola's got a funk that'll
curl the toes of any man. Way to jump into this shit hard, son. (Re: Weapons of Mass Design - I just saw one of your posters pasted up at a Record store on Capitol Hill - good stuff!)
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"These are the words of your god Steve." - Reckoner |
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Thanks for all the comments! I'm trying to keep up with them all.
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Casey, that was one of the first things I checked. The films lined up perfectly. I'm printing them from an epson 1400. boatdreams, that block thing sounds good. I didn't think of the hinges shifting. Quote:
Bdroid, StrawberryLuna, Zombie... There was so much stuff to choose from at Home Depot it made my head spin. Thanks for that. Now I have a better idea of what to look for. |
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that's pretty good for first time. some suggestions for the next go...
looking at your set up, lose the right bottom tab. You only want the side ones, and the stop at the bottom corner. x and y. tabs don't need to be big, they just need to be solid, and not move during the print. check your posis on top of the prints - did they (the print) stretch? sometimes a first color on fresh paper that hasn't been laid out gets it all moist and then the paper changes size. when you print the first color MAKE SURE IT IS IN THE TABS TIGHT EVERY TIME. don't burn through the first color and only start worrying about register on the second. Each paper has to be placed tight against the tab stops every time. Most rookies are just so excited that the ink is actually printing, they rush the placement. check it. was the whole run consistently out that little bit? did you move your tabs to adjust the register after the first few prints? It looks to me like you just needed to move your bottom tab down a pube to bring the red down and close the crack. don't be scared to move your tabs on the second color. If they were all over randomly, then you weren't being accurate with your placement. Easy fix. the blocks of wood are a real good idea at the front of the screen. then even if you clamps move, they move consistently, and only in one direction. Build a vac table, you will speed up your printing and your registration will be way better, less screwups, less finish flaws (puckers and peels) the money you save from spray adhesive, you can buy beer.
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Andymac services www.squeegeeville.com equipment www.tmiscreenprinting.com Todo es empezar. Last edited by Andymac; 07-14-2009 at 12:01 AM. Reason: duh |
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Thanks Andy. Thanks to posts like this it sure makes it easier.
This is all very helpful. Awesome. My prints didn't seem to be too far off from one to another. It was pretty consistent on how it was off. And I think the inconsistent ones were due to my hastiness in the first color run as you mentioned. I was trying to keep it consistent knowing there was another color to do but now that you mention it, your right, that 2nd tab on the bottom did seem to be a pain in the butt and was making me get really impatient. It was taking me a long time between prints. And I was worried my ink was gonna dry as I didn't us any retarder base - though that seemed to be a needless worry - it never really seemed to come close to drying up on me. As far as the paper stretching - bingo! I just checked and they lined up perfect for the black but for the red its off by about the same amount as I was having trouble with. The red was the first print run so it makes sense that it stretched at that point. It was 110lb French white paper. What's the way around this? Should I have taken them out and let them sit for a while before printing? It can get pretty humid in the basement also, and come to think of it I think I had the dehumidifier off. Last edited by eyepeace; 07-14-2009 at 08:24 AM. Reason: clarification |
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I really wasn't sure what the norm was going into this, but by reading some of the recent posts here, that seems to be a major issue in the gigposter community and the last thing I want to do is be part of the problem. The model of making money from selling my share of the prints doesn't work great for me considering it's my first poster. I'll be lucky to sell them to my mom... but we'll see. This was really a test for me to get some under my belt. I kind of feel like it would be worthwhile to create some sort of simplified Gigposters "pricing and ethical guidelines". Tools this community can turn to for a starting point. Maybe it's as simple as a list of questions to ask band management or a promoter or even negotiation tactics. The more educated we are as a group the easier it will be to move compensation trends in the right direction. I dunno. Just typing out loud. |
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