So, I'm having trouble doing the seps for this:
The color palette is dark orange, orange, yellow, red, and hi white with an underbase for black shirts.
Tips, pointers and suggestions?
So, I'm having trouble doing the seps for this:
The color palette is dark orange, orange, yellow, red, and hi white with an underbase for black shirts.
Tips, pointers and suggestions?
bizz-e-B bump.
do a halftoned greyscale version for the under print, then sep out each colour, use transparent inks on high mesh and allow the underbase to setup a lot of the tonal variations. I did something similar to a Darkest Hour shirt, 2 blues and a white underbase came out to look like 5 colours of blue. Goodtimes taught me that . .
use Channels. and prep each spot color channel by using the Color Range tool.
from that image, it looks like you could print that using 3 colors. A spot Yellow, a process Red/Orange, and a White Underlay. Four colors if you want to use a process black to pop the detail.
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I get my head around how to use the color range tool.
i really need to fly down to austin and take a bobby dixon color sep class.
So, I just need to keep messing with the fuzziness setting to pull out the oranges and yellows and let the underbase to the tone work?
Has anybody ever seen a decent video instruction on intenese seperations in PS? I have seen a few, but they all contain super easy graphics with absoluetely no challenge.
I have searched the topic before and found a pretty detailed thread from Goodtimes, but I got lost about halfway through it. I guess I struggle with the channels concept.
Anyways, it would be awesome to see a "step-by-step" breaking something like the above artwork down to 3 colors.
it would definitely be awesome to have some kind of Demo for all of us at a Flatstock, maybe during the API meeting or something. just a quick/good overview from one of the masters.