thanks for the tip, given the choice i think local is usually the way to go anyway.
does anyone know what the ideal spectrum is?
thanks for the tip, given the choice i think local is usually the way to go anyway.
does anyone know what the ideal spectrum is?
330-440 nm
but most bulbs/lamps don't show those numbers unless you really dig, or they are specifically for graphic apps.
finding 1000w bulbs locally is proving to be a huge pain, so I think I will go with a 2x500w configuration. This whole exposure unit thing is proving to be quite a hassle and I haven;t even started! If only there was a studio around here where I could just pay a fee and use their stuff...
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we use 2 500 watt halogens with the safety glass removed, 36 inches to glass, exposure time +/- 10 minutes.
works like a champ.
cost: $30 and some string to hang the rig from a hot water pipe.
no, I'm not kidding.
I've heard a lot of people using a hanging exposure setup dealie, could you go into a little bit more detail about how this setup is constructed? Pics would be great if anyone has some.
On another note I actually managed to find a printmaking center with co-op studio space available for like $12 buck an hour, which *should* be more than enough time to coat and expose like 4 or 5 screens at a time (provided Murphy's law doesn't rear its ugly head as it usually does). I think for now this is the most cost effective method and the most convenient.
I believe if you're going with an exposure from above, you need a piece of foam cut to fit in the squeegee side of the screen, and you lay a sheet of glass on top.
I expose from below and use a bunch of phone books to keep the film in total contact with the screen.
Another way that works really well is taping the film to the screen, putting a square of foam on the squeegee side, and putting the whole screen into a vacuum space bag. Then you suck all the air out with a shop vac and expose.
justinsantora.com
a letter of resignation
interview on crewkoos
"put the immersion on your mensch with a scrub-coaster. then print with a 70 durometer skyguy"
-Steve W
Are you not at SVA anymore? The lab is $250 a semester and they provide all the TW ink, emulsion, and stuff you could ever need.
nope, it's a long story but basically I couldnt get registered for this semester so I'm beat for the year. The SVA lab is awesome and I would definitely do it if I still lived in the city, but I'm back home in CT now so it's not really an option.
Not sure if steve is serious about hooking this up for free, but check it out haha. Maybe a drive to chicago is in your future.
Mercury Vapour exposure unit:
hey!
my parents are in town and my stepdad and i are going home depot shopping and are going to build an expsosure unit for my studio today.
gulp.
uv uv uv 48" 48" 48"
this is what i have learned.
are you guys feeling strongly that individual housings/ballasts are smarter instead of the 2 bulb-housings?
i like fun.
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