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  1. #31

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    thanks for the tip, given the choice i think local is usually the way to go anyway.
    does anyone know what the ideal spectrum is?

  2. #32
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    Andymac's Avatar

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    330-440 nm

    but most bulbs/lamps don't show those numbers unless you really dig, or they are specifically for graphic apps.
    Andymac

    services www.squeegeeville.com
    equipment www.tmiscreenprinting.com

    Todo es empezar.

  3. #33

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    finding 1000w bulbs locally is proving to be a huge pain, so I think I will go with a 2x500w configuration. This whole exposure unit thing is proving to be quite a hassle and I haven;t even started! If only there was a studio around here where I could just pay a fee and use their stuff...

  4. #34
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    DenisMutter's Avatar
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    we use 2 500 watt halogens with the safety glass removed, 36 inches to glass, exposure time +/- 10 minutes.

    works like a champ.

    cost: $30 and some string to hang the rig from a hot water pipe.

    no, I'm not kidding.
    API Local, Member 025 - Hack For Life!
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  5. #35

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    I've heard a lot of people using a hanging exposure setup dealie, could you go into a little bit more detail about how this setup is constructed? Pics would be great if anyone has some.

    On another note I actually managed to find a printmaking center with co-op studio space available for like $12 buck an hour, which *should* be more than enough time to coat and expose like 4 or 5 screens at a time (provided Murphy's law doesn't rear its ugly head as it usually does). I think for now this is the most cost effective method and the most convenient.

  6. #36
    Premium Member
    boatdreams's Avatar


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    I believe if you're going with an exposure from above, you need a piece of foam cut to fit in the squeegee side of the screen, and you lay a sheet of glass on top.

    I expose from below and use a bunch of phone books to keep the film in total contact with the screen.

    Another way that works really well is taping the film to the screen, putting a square of foam on the squeegee side, and putting the whole screen into a vacuum space bag. Then you suck all the air out with a shop vac and expose.
    justinsantora.com
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    "put the immersion on your mensch with a scrub-coaster. then print with a 70 durometer skyguy"
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  7. #37
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    windflame's Avatar

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    Are you not at SVA anymore? The lab is $250 a semester and they provide all the TW ink, emulsion, and stuff you could ever need.

  8. #38

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    nope, it's a long story but basically I couldnt get registered for this semester so I'm beat for the year. The SVA lab is awesome and I would definitely do it if I still lived in the city, but I'm back home in CT now so it's not really an option.

  9. #39
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    windflame's Avatar

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    Not sure if steve is serious about hooking this up for free, but check it out haha. Maybe a drive to chicago is in your future.

    Mercury Vapour exposure unit:

  10. #40
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    strawberryluna's Avatar
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    hey!

    my parents are in town and my stepdad and i are going home depot shopping and are going to build an expsosure unit for my studio today.

    gulp.

    uv uv uv 48" 48" 48"

    this is what i have learned.

    are you guys feeling strongly that individual housings/ballasts are smarter instead of the 2 bulb-housings?

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