One of the things that strikes me in this debate and related ones, is the fact that it has become conventional wisdom among some of you that venues and promoters = bad.
And that when a venue commissions a poster, that steps on the toes of some entitled artist who is gonna get to sell something.
Venues and promoters should not be persona non grata in the poster-making process. That is ass backwards.
Smart artists will hustle up gigs where a poster is made with the knowledge and inclusion of BOTH the band and the promoter, and build relationships with both simultaneously... Show gets street promo, venue gets posters to hang, band gets merch, artist gets paid, artist gets hired again in the future...
Any poster artist who does not actively try to build relationships with their local venues and promoters, is being lazy. Sure, some aren't receptive or are dicks (like many bands). But many are, or might be. And some of you aren't even trying. Instead you follow the path of least resistance, of waiting for a poster series slot to drop in your lap, where someone else is taking care of the permissions and you don't have to man/woman up, and put yourself out there on your own.





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