Ha...when I was a kid, I interviewed David Quinn and Tim Vigil when they went on their Faust tour. I was so diappointed that they were dorks. Cool comic and all...but the dudes were dorks.
I have a Faust poster by Tim Vigil which has the logo done with white-out! It's a full-color offset print. You would think somebody would have touched that up before printing.
Electric erasers are great but you really need to be working on board not paper. They work on paper but you need a super light touch.
http://www.artsuppliesonline.com/catalog.cfm?cata_id=6149
I heard Art Spiegelman talking about how hard it was for him to sell originals because he used a lot of white out.
Practice, practice practice.
I am going to want to come over and watch you guys use them...cause I need a lesson and to see how its done...just can't image getting the detail and exactness...I need to go back and fix things all the time....
No matter how broke I am, I still have to have WN #7's. But if you test them at the store and get good ones with unsplit points, they can last for years if you treat them nice. But I cry for the days when I got them free at work. sigh.
I switched to brushes a few years ago. They are well worth the time to get reacquainted with your materials. Brian's ink work should be proof enough for that.
I use stratmore 4 ply cold press bristol board. The ink doesn't sit on the surface so I don't hafta wait for it to dry like hot press. Also the texture is nice and let's me drybrush if I want to. I did some of that with the Melvins poster.
Electric erasers help too. I bought a battery operated one for $10 bucks. It gets me out of using whiteout.
For the most part I use Borden "Paper For Pens." The paper is almost blue so it scans really well (veloxes looked great because of it - r.i.p. the velox machine). What are the paper choices of other brush and pen folk? (Strathmore Kid finish board board when I am doing a water color with brush and ink.)
this is great.
i use that same brush. i treat it like crap, too (i always work until i'm too tired to clean a brush ... so i don't), and i've used the same one for about four years now. totally worth the money.
Sign up for my mailing list...nudge nudge wink wink.
Yeah...WN series 7 #4's
Cheap brushes are great to learn on but I go through them too quickly. I'm heavy handed and a bit shaky. The brush is more forgiving than the pen. Each has its limits though. Paper matters as much as what you ink with. I remember Burwell showing me some of his poster art that he had done on a piece of xerox paper...it was amazing but I can't do that. The bristol board I use helps me be retarded and avoid using white out.
I'm not rich...not even close. I just got tired of paying for a bunch of $5 brushes when I could just get one $40 brush that equled in life span.
I'm getting in to full on dork mode now.
my brushes take a beating. I have no attachment to them.
Brian, once you've got these in your hands, please let me know. I do need one.
Update your website already!!!
I have had one brush since college that has such a sweet shape and tip that I think I will scream (or cry) when it is dead. WN Series 7 hold the shape best and longest. Cleaning those fuckers is key.
It takes time to learn the touch. I fought it for a year or so. Now a brush in my hand is like a direct link to my mind. Fast acting conduit.
still... $40 a brush?!
Man...I can't ink with a brush...
Don't know how you guys do it...
I use my microns...and draw my lines as if I was using a brush...
I just don't have the touch...
I guess I don't have the steady hand to make those perfect lines...with a brush...
That's TRACI.... she rocks the pink hair in real life.
I wanted to try inking the outline with a pen this time. All my brushes had been worn out and they cost like $40 bucks a pop. I didn't feel like spending the cash so I busted out the $3 Microns. The hair and face is done with a brush.
5 color screen print 18x24
Great poster. The colors are so perfect for this. The way the arm is covered by the pillow yet the sheets are the same color and pattern is a cool effect.
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